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This volume consist of papers which provide an overview of the presentations at the Second International Academic Seminar: Female Genital Mutilation/Cutting at the intersection of qualitative, quantitative and mixed method research. Experiences from Africa and Europe. This seminar took place June 2017, in Brussels. The contributions in this book focus on research's crucial role in abandoning female genital mutilation/ cutting (FGM/C), gaps in the research, the need to integrate an intersectionality perspective in the research and evaluations of current strategies for abandoning the practice.

Worship.

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Les deux auteurs, l'un ethnologue, l'autre ethnomusicologue, examinent la société indienne de l'île de la Réunion (océan Indien) à travers ses cultes et ses musiques. Leur analyse s'appuie sur les résultats d'enquêtes de terrain menées au cours des dix dernières années. Par le regard croisé des deux disciplines, ils tentent de connaître les enracinements sociaux des faits musicaux et de montrer combien la musique est une porte d'entrée privilégiée dans la compréhension du social. Dans l'entrecroisement d'héritages qui fait la richesse des mondes créoles, les musiques indiennes, à l'instar des cultes, se partagent le territoire réunionnais en fonction des valeurs et des croyances véhiculées par le groupe d'émergence. Les musiques religieuses, leurs stylistiques et leurs esthétiques répondent à ces valeurs. Aussi, les cultes et leurs musiques apparaissent-ils comme des marqueurs de statut, comme des facteurs identitaires. En conclusion, les auteurs discutent du récent essor du maloya (afromalgache), soulignent l'intégration de certains éléments indiens dans cette expression musicale et se questionnent sur les nouveaux types de rapports entre la musique et le culte entretenus aujourd'hui par les gens d'ascendance indienne à la Réunion. The two authors, one of whom is an ethnologist, the other an ethnomusicologist, focus their study on the Indian society of Reunion Island, and on the linkages between their cults and their music. Their analysis is based on fieldwork carried out during the last ten years. Through the alternate perspective of their disciplines, they try to better understand the social foundations of musical phenomena and how the study of the social use of music can bring a better understanding of the complexity of the social. Amidst legacies that characterize creole worlds, Indian music and cults divide Reunion territory according to the values and the beliefs of emerging groups. Religious music, its style and aesthetics correspond to these values. This is why music, just as cult, may be considered as status as well as identity indicators. The authors conclude with a discussion of how the recent rise of Afro-Malagasi maloya shows that certain Indian traits are integrated in this musical expression and of the new relationship that Reunion people of contemporary Indian descent share with music and cult.

Anthropology. --- Worship.

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Emperor worship

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Through the Ages provides a practical, historical and philosophical study of the Great Spiritual Awakenings as related to the worship of evangelicals around the globe. This is a fascinating story that reveals a unifying, unbroken thread of events whereby one can trace the development of worship practices through the ages. With each move of God came a change in the way people worshiped. New paradigms were created, debated, accepted and passed on to the next generation. Narrative for this study is energized by telling ""the story"" of engaging personalitie

Worship --- History.

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Sun worship. --- Cults --- Nature worship --- Rome --- Religion.